DIRECTOR AND CO-FOUNDER

Based in London, Georgia specializes in the professional management, research and display of collections. Her passion lies in promoting the potential of the private collector in the art eco-system.

Georgia studied Art History in Italy and the UK, earning a BA and MA in the subject. Georgia gained experience at the Victoria and Albert Museum, London, and with an exhibition designer, working with prominent private collections including The Myers Collection at Eton College and the Portland Collection at Welbeck Abbey. She then managed The Redfern Gallery on London’s Cork Street. As Assistant Curator of the private collection owned by The Goldsmiths’ Company in London, Georgia was responsible for managing, exhibiting and expanding a collection of more than 9,000 objects.

Georgia is a lecturer at Christie’s Education and speaks regularly on the subject of the role of the Collector today. Georgia is Curator to the Estate of Jane McAdam Freud and advisor to the Estate of Feliks Topolski. She is a Trustee of Plain Sight Archive, a member of the international Catalogue Raisonné Association and a mentor for I Like Networking, helping artists and those working in the arts.

DIRECTOR & CO-FOUNDER

Based in Los Angeles, Liza specializes in preservation and collections management, with expertise in creating bespoke databases.

Liza’s interest for caring for works of art began while studying art restoration in Florence, Italy. She earned a BA in Art Conservation from Camberwell College of Arts, London, and an MA in Museum Studies from University College London (UCL). Liza worked at several museums, galleries and conservation studios, including Tate Modern, the Victoria and Albert Museum, The Redfern Gallery, and Janie Lightfoot Textiles. At the oldest hat shop in the world, Lock & Co. Hatters, Liza preserved and catalogued more than 400 ledgers and historical material in order to curate a new, permanent exhibition space. Liza returned home to California in 2015, and has established a strong LA presence, working with varied private collections and industry specialists.

Liza is also a mentor for Upward & Associates, a platform that offers guidance and concrete tools to help artists meet their professional goals.

UK COLLECTION MANAGER

​​Based between London and Singapore, CURA Art’s UK Collection Manager, Daisy Green, specialises in preventive conservation and collections care.

In 2022 Daisy earned a Distinction in MA Preventive Conservation with Northumbria University. Her Master’s research has subsequently been referenced by sustainability teams in the National Trust, and is used as reading material for a sustainability group at the Courtauld Institute. Daisy also contributes to research with Ki Culture to improve sustainability practices in the conservation industry.

Over the past 7 years, she has established a presence in Singapore working closely with STPI Creative Workshop & Gallery as well as the notable bronze sculptor and painter, Kumari Nahappan. She has supported and promoted Southeast Asian artists at Art World Database, Art Basel, Frieze London, and S.E.A. Focus. She has also worked on the preservation of The Museum of Croydon’s paintings collection, and the management of the Croydon Borough Archives.

US COLLECTION MANAGER

Based in Los Angeles, CURA Art’s US Collection Manager, Amanda Goch, specializes in database management, logistics and collections care.

During her time as a Fine Art Editions Producer and Digital Printmaker in Los Angeles, Amanda worked with many artists in the creation of unique and limited editions. As a printmaker, she specialized in developing new digital print processes and technologies. She continued this artist-led organizational experience as a Studio Coordinator for an established LA based artist. Through her time working with high end furniture and interior design studios, she brings a passion for the preservation and care of art and objects.

Amanda studied at The University of Vermont earning a BA in Studio Art and Ecological Building. Her time spent at Vermont’s Fleming Museum of Art and contemporary art institution The Current honed her experience in arts administration and collections care. Amanda actively seeks opportunities to contribute to the cultural landscape, whether through her work at CURA Art or supporting artist-led projects and fundraisers.